Quentin Tarantino — "I'm a filmmaker. I'm not a politician. I'm not a preacher. I'm not a teacher. I'…"
I'm a filmmaker. I'm not a politician. I'm not a preacher. I'm not a teacher. I'm a filmmaker.
I'm a filmmaker. I'm not a politician. I'm not a preacher. I'm not a teacher. I'm a filmmaker.
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"I'm not a big fan of sequels."
"I love the smell of film."
"I'm a big fan of grindhouse movies. They're great."
"I'm a big fan of strong female characters."
"I'm a big fan of Westerns. I think they're America's greatest art form."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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