Jeff Koons — "I'm interested in the idea of the popular. I think that art can be popular."
I'm interested in the idea of the popular. I think that art can be popular.
I'm interested in the idea of the popular. I think that art can be popular.
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"I believe in the importance of authenticity in art."
"I want to communicate to people that they should feel good about themselves and that they should feel empowered."
"I always try to make work that is engaging and that makes people think."
"I want to celebrate the richness and complexity of life."
"I believe in art that is accessible to everyone."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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