Jeff Koons — "I'm interested in the idea of the miraculous, and how art can reflect it."
I'm interested in the idea of the miraculous, and how art can reflect it.
I'm interested in the idea of the miraculous, and how art can reflect it.
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"I believe in advertising. I believe in media. I believe in communication. I believe in the power of the image."
"I'm interested in the idea of the unexpected, and how art can surprise us."
"I want to create work that brings joy and contentment."
"I always try to make work that is accessible to everyone."
"I want my work to encourage people to think about their place in the world."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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