Marlon Brando — "I'm not interested in being a legend. I'm interested in being a human being."
I'm not interested in being a legend. I'm interested in being a human being.
I'm not interested in being a legend. I'm interested in being a human being.
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"I don't think I'm a hero. I think I'm a survivor."
"I don't like to be in the public eye. I prefer to be private."
"I don't think I'm a particularly good actor, I'm a character actor."
"I have no idea what I'm doing. I just try to make it interesting."
"You don't just give up. You don't just let things happen. You fight for what you believe in and you fight for your friends."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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