Jeff Koons — "I'm not interested in being an artist who makes things that are difficult to und…"
I'm not interested in being an artist who makes things that are difficult to understand.
I'm not interested in being an artist who makes things that are difficult to understand.
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"I want my work to be an embrace of life in its totality."
"I want to elevate the ordinary to the extraordinary."
"I think that art is about being able to communicate with the largest possible audience."
"I'm interested in the idea of the new, and how art can always be fresh."
"I think that art can be a tool for personal transformation."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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