I'm not interested in making films that are politically correct. I'm interested in making films that are true to human nature, however ugly that may be.
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"The great problem with people is that they don't know what they want."
"I think that the big problem with people is that they don't know how to live."
"A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later."
"The biggest lie in the world is that you can't do something."
"You can't make a movie for the critics. You have to make it for yourself and hope that enough people like it."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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