Stanley Kubrick — "I'm not interested in making films for critics. I'm interested in making films f…"
I'm not interested in making films for critics. I'm interested in making films for audiences, and if they like them, that's all that matters.
I'm not interested in making films for critics. I'm interested in making films for audiences, and if they like them, that's all that matters.
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"I do not know what I may appear to the world, but to myself, I seem to have been only like a boy playing on the seashore, and diverting myself in now and then finding a smoother pebble or a prettier s…"
"I think that the human race is capable of great things, but it's also capable of great evil."
"I think that the greatest works of art are the ones that are the most ambiguous, that can be interpreted in many different ways."
"The most powerful thing in the world is an idea whose time has come."
"The artist is a man who has to create a new way of looking at the world."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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