It's not that I'm on this big crusade against linear storytelling, but the thing is it's not the only game in town. A novel can do that no problem. Novelist have always had complete freedom to pretty much tell their story any way they saw fit. And that's kind of what I'm trying to do.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"I don't think about the awards season when I'm making a movie. I just think about making a good movie."
"I've never been interested in making a movie that everybody likes. I'm interested in making movies that I like."
"If you've made money being a critic in black culture in the last 20 years you have to deal with me. You must have an opinion of me. You must deal with what I'm saying and deal with the consequences."
"My movies are painfully personal but I'm never trying to let you know how personal they are it's my job to make it be personal and also to disguise that so only I or the people who know me know how pe…"
"I don't care for Matthew Lillard."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Found in 1 providers: gemini
1 source checked
Your cart is empty
