Claude Monet — "It's on the strength of observation and reflection that one finds a way. So we m…"
It's on the strength of observation and reflection that one finds a way. So we must dig and delve unceasingly.
It's on the strength of observation and reflection that one finds a way. So we must dig and delve unceasingly.
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"I would advise young artists to paint as they can, as long as they can, without being afraid of painting badly."
"I'm completely exhausted. I can't paint another stroke."
"It's a trade I learned as a youth… when I was unhappy… Perhaps flowers are the reason why I am an artist."
"Most people think I paint fast. I paint very slowly."
"I have such a fear of not being able to finish what I have undertaken."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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