Jeff Koons — "I've always been interested in the idea of the readymade, of taking something th…"
I've always been interested in the idea of the readymade, of taking something that already exists and transforming it into something new.
I've always been interested in the idea of the readymade, of taking something that already exists and transforming it into something new.
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"I think that art is about being able to express yourself authentically."
"I think that art really is about self-acceptance. It's about being able to accept oneself and to be able to communicate that to others."
"I think that art should be something that everybody can enjoy, not just a select few."
"I’ve always been interested in the idea of the new, but the new is really about communication, it’s about connection. It’s about being able to communicate with people and being able to share with them…"
"I want to create art that is so transcendent that it can elevate the human spirit."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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