Once the movie gets going, once the lights go down, you become a collective. There's you by yourself, but then there's all of you together. And then you start appreciating the movie in that way.
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"I'm a big fan of spaghetti westerns. They're my favorite genre."
"I'm never bothered that people say I don't make films 'from life' and that I have 'nothing to say.' I don't try to say anything but to create characters and to tell stories out of which meaning can ap…"
"I'm a big fan of the unexpected. I think it's what keeps an audience engaged."
"I don't believe in elitism. I don't think the audience is this dumb person lower than me i am the audience."
"I'm a big fan of movie stars. I think they're magical."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
On The Late Show with Stephen Colbert, discussing the communal experience of cinema.
Date: 2021
PhilosophicalFound in 1 providers: gemini
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