Edvard Munch — "The camera cannot compete with the brush and the palette so long as it cannot be…"
The camera cannot compete with the brush and the palette so long as it cannot be used in heaven or hell.
The camera cannot compete with the brush and the palette so long as it cannot be used in heaven or hell.
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"The strange light illuminated all those night-time meetings that took place in every imaginable sort of café; the lips mouthing defiant words, heedless of restraint or consequence, often overbearing a…"
"I have sought to express my inner self in my art."
"I have created a new art that will shake the world."
"My art is a prayer."
"The most terrible thing is to feel alone in a crowd."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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