Edvard Munch — "The colors scream."
The colors scream.
The colors scream.
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"I have been so often misunderstood, and my art has been called sick, morbid, and ugly."
"There is a battle that goes on between men and women. Many people call it love."
"My art is rooted in a single reflection: why am I not as others are?"
"I am not interested in painting pretty pictures."
"I walked along the road with two friends – the sun went down – I felt a gust of melancholy – suddenly the sky turned a bloody red. I stopped, leaned against the railing, tired to death – over the blue…"
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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