Quentin Tarantino — "The good thing about being a writer is you can make up anything you want."
The good thing about being a writer is you can make up anything you want.
The good thing about being a writer is you can make up anything you want.
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"I think about my movies all the time. It's like a disease."
"Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people."
"I'm a big believer in the power of music in movies."
"I'm not a big fan of sequels."
"I don't believe in elitism. I don't think the audience is this dumb person lower than me i am the audience."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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