Marlon Brando — "The greatest danger for most of us is not that our aim is too high and we miss i…"
The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it.
The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it.
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"I don't like to talk about myself. I like to talk about other things."
"I don't like to talk about my personal life."
"The Jews control Hollywood and use it to promote their own agenda."
"When you lie to yourself about yourself, you’re in bad company."
"Mafia is the best example of capitalism we have."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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