Marlon Brando — "The most repulsive thing you could ever imagine is the inside of a camel's mouth…"
The most repulsive thing you could ever imagine is the inside of a camel's mouth. That and watching a girl eat octopus or squid.
The most repulsive thing you could ever imagine is the inside of a camel's mouth. That and watching a girl eat octopus or squid.
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"The more sensitive you are, the more certain you are to be brutalized, develop scabs, never evolve. Never allow yourself to feel anything, because you always feel too much."
"I don't believe in God. I believe in people."
"I don't think there's any such thing as a normal person."
"I don't like to talk about myself. I like to talk about other things."
"The principal benefit acting has afforded me is the money to pay for my psychoanalysis."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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