Yayoi Kusama — "The polka dots on my clothes are like a virus that has infected my entire body."
The polka dots on my clothes are like a virus that has infected my entire body.
The polka dots on my clothes are like a virus that has infected my entire body.
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"I have been fighting against the world for a long time."
"I am an artist who expresses her own feelings."
"I am a solitary artist, but I am connected to everyone through my art."
"I am a person who is always trying to reach the unknown."
"I am a dance."
Japanese contemporary artist whose Infinity Mirror Rooms and polka-dot installations have made her among the highest-grossing living artists, working from the Tokyo psychiatric hospital where she has lived voluntarily since 1977. Closely associated with Donald Judd (early NYC champion of her work) and Andy Warhol (1960s NYC contemporary). For an intellectual contrast, see the 1960s New York Pop establishment, the male-dominated, gallery-political art world that excluded her — Kusama claims Warhol's Cow Wallpaper and Oldenburg's soft sculptures borrowed her ideas without credit. Her 1960s erasure from the canon — and later prominence as the highest-grossing living woman artist — is one of art history's most-cited cases of gendered authorship dispute.
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