Edvard Munch — "The sea – it is as incomprehensible as existence – it is incomprehensible as dea…"
The sea – it is as incomprehensible as existence – it is incomprehensible as death – as eternal as longing.
The sea – it is as incomprehensible as existence – it is incomprehensible as death – as eternal as longing.
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"Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light."
"I am a wanderer, always searching for something I cannot find."
"The strange light illuminated all those night-time meetings that took place in every imaginable sort of café; the lips mouthing defiant words, heedless of restraint or consequence, often overbearing a…"
"—I have kissed a corpse such was that kiss—"
"My fear of life is necessary to me, as is my illness. They are indistinguishable from me, and their destruction would destroy my art."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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