Stanley Kubrick — "The thing about life is that it's a tragedy, but it's also a comedy. It's both a…"
The thing about life is that it's a tragedy, but it's also a comedy. It's both at the same time.
The thing about life is that it's a tragedy, but it's also a comedy. It's both at the same time.
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"The only way to do great work is to love what you do."
"The thing about movies is that they're a reflection of life, but they're also a way of escaping from it."
"The novel (The Shining) is by no means a serious literary work, but the plot is for the most part extremely well worked out, and for a film that is all that really matters."
"The criminal and the soldier at least have the virtue of being against something or for something in a world where many people have learned to accept a kind of grey nothingness, to strike an unreal se…"
"I don't believe in happy endings. I believe in realistic endings, and sometimes realism is not happy."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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