Stanley Kubrick — "The truth is often a terrible weapon."
The truth is often a terrible weapon.
The truth is often a terrible weapon.
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"I don't like to talk about my films. I like to let them speak for themselves."
"The human mind is a wonderful thing. It starts working the moment you are born and never stops until you stand up to speak in public."
"I think that the greatest works of art are the ones that are the most ambiguous, that can be interpreted in many different ways."
"Good God, no. You don't stop being concerned with man because you recognize his essential absurdities and frailties and pretensions. To me, the only real immorality is that which endangers the species…"
"Never, ever go near power. Don't become friends with anyone who has real power. It's dangerous."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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