Geoffrey Chaucer — "This somnour bar to hym a stif burdoun; / Was nevere trompe of half so greet a s…"
This somnour bar to hym a stif burdoun; / Was nevere trompe of half so greet a soun.
This somnour bar to hym a stif burdoun; / Was nevere trompe of half so greet a soun.
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"Upon the cop right of his nose he hade A werte, and theron stood a tuft of heres rede, As bristles of a sowes eerys olde."
"For she was so charitable and so pitous She wolde wepe, if that she sawe a mous Caught in a trappe, if it were deed or bledde. Of smale houndes hadde she, that she fedde With rosted flessh, or milk an…"
"His eyen twinkled in his heed aright As doon the sterres in the frosty nyght."
"And Frenssh she spak ful faire and fetisly, After the scole of Stratford atte Bowe, For Frenssh of Parys was to hir unknowe."
"He was a verray parfit gentil knyght. But for to speken of his array, his hors were goode, but he was nat gay."
English poet, civil servant, and the father of English literature; The Canterbury Tales (~1387-1400) is the founding text of English-language storytelling. Closely associated with Giovanni Boccaccio (his Italian predecessor; the Decameron preceded the Canterbury Tales by ~40 years). For an intellectual contrast, see John Wycliffe, English theologian and Lollard reform-movement leader — Wycliffe and Chaucer were near-contemporaries in the same English Christian world — Chaucer's Wife of Bath and Pardoner are the canonical literary defense of fleshly humanity against the Lollard moral austerity that would later become English Puritanism. Earthy storytelling vs proto-Protestant moralism.
General Prologue to The Canterbury Tales, describing the Summoner and Pardoner singing together. The imagery of their loud, unharmonious performance is subtly 'weird' and reflects their dubious characters.
Date: c. 1387-1400
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