Though while it comes it is a lion that eats the soul—and the lamb, the soul, in us, alas, offering itself in sacrifice to change's fierce hunger—hair and teeth—and the roar of bonepain, skull bare, break rib, rot-skin, braintricked Implacability.
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"Love is key to an exciting life and the moment you leave the world of love, you lose the best life."
"If I look at my work, I think the most important thing is the honesty."
"I'm a revolutionary, but I'm not a violent revolutionary."
"I'm a non-conformist, but I'm not a rebel without a cause."
"The world is a nightmare of police states and corporate control."
American Beat poet whose Howl (1956) faced an obscenity trial and became a counterculture manifesto. Closely associated with Jack Kerouac (Beat novelist, On the Road) and William S. Burroughs (fellow Beat, Naked Lunch). For an intellectual contrast, see T.S. Eliot, high-modernist poet of The Waste Land — Ginsberg's open-line confessional Beat verse was a deliberate rejection of Eliot's allusive academic formalism — the two halves of mid-century American poetry.
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