Stanley Kubrick — "To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and…"
To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting.
To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting.
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"The best way to predict the future is to create it."
"I think the key to life is to be able to enjoy the little things."
"The truth is that most people are not very bright."
"I don't like to talk about my films. I like to let them speak for themselves."
"Any time you take a risk, you risk failure. But if you don't take risks, you don't get anywhere."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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