To me they're all living inside of this one universe. And it isn't [pointing out the window] out there. Well, it's a little bit out there, and it's also there, too [points at his TV], in the movies, and it's also in here [points to his head]. It's all three.
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"Just because you are a character doesn't mean you have character."
"I'm a big fan of feet. I think feet are very sexy."
"I'm a big fan of movies that are unapologetically violent."
"I’d rather watch a bad movie that’s passionate than a good movie that’s boring."
"I don’t believe in God, but I believe in Pam Grier."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Interview with Film Comment by Gavin Smith, discussing his cinematic universe.
Date: 1994
PhilosophicalFound in 1 providers: gemini
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