Marlon Brando — "We don't go anywhere. Going somewhere is for squares. We just go!"
We don't go anywhere. Going somewhere is for squares. We just go!
We don't go anywhere. Going somewhere is for squares. We just go!
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"I'm not a very political person. I just care about people."
"I think that the most important thing in life is to be true to yourself."
"Tim is the greatest actor ever. He pretends he loves me when he wants something to eat."
"When you lie to yourself about yourself, you’re in bad company."
"I don't think I'm a saint. I think I'm a sinner."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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