Marlon Brando — "An actor is at most a poet and at least a traffic cop."
An actor is at most a poet and at least a traffic cop.
An actor is at most a poet and at least a traffic cop.
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"I don't like to be in the public eye. I prefer to be private."
"I'm tired of the whole thing. I'm tired of Hollywood. I'm tired of the movies. I'm tired of my life."
"The greatest enemy of creativity is good taste."
"I'm not interested in being a legend. I'm interested in being a human being."
"I’m not an actor—I’m a guy who gets paid for acting."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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