Marlon Brando — "The only thing I ever learned from acting was that I could make a lot of money."
The only thing I ever learned from acting was that I could make a lot of money.
The only thing I ever learned from acting was that I could make a lot of money.
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"I don't like to be controlled. I think it's demeaning."
"I don't like to talk about my personal life."
"If you're successful, acting is about as soft a job as anybody could ever wish for. But if you're unsuccessful it's worse than having a skin disease."
"I'm not a star. I'm an actor."
"I never had a good time in my life. I always had a good time in my head."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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