Marlon Brando — "I don't like to be controlled. I think it's demeaning."
I don't like to be controlled. I think it's demeaning.
I don't like to be controlled. I think it's demeaning.
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"I'm not a star. I'm an actor."
"Privacy is not something that I’m merely entitled to, it’s an absolute prerequisite."
"I don't think there's any such thing as a good guy or a bad guy. There are just people."
"We couldn't survive a second if we weren't able to act. Acting is a survival mechanism, and it's a social lubricant. And we act to save our lives, actually, every day. People lie constantly every day …"
"I don't want to be a star. I want to be an actor."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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