Marlon Brando — "Would people applaud me if I was a good plumber?"
Would people applaud me if I was a good plumber?
Would people applaud me if I was a good plumber?
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"I don't think I'm a particularly good actor, I'm a character actor."
"I don't like to be famous. I don't like to be a star."
"I don't think I'm a very good actor. I'm not that talented. I'm just lucky."
"I don't like to be touched. I don't like to be hugged. I don't like to be kissed."
"I don't like to talk about my personal life."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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