Marlon Brando — "I don't think I'm a particularly good actor, I'm a character actor."
I don't think I'm a particularly good actor, I'm a character actor.
I don't think I'm a particularly good actor, I'm a character actor.
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"I couldn't care less about the Oscar. It's a piece of junk."
"I don't mind being an icon, but I'd rather be a person."
"I'm not a hero. I'm a human being."
"I don't like to be in the public eye. I prefer to be private."
"Never confuse the size of your paycheck with the size of your talent."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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