Marlon Brando — "I don't think I'm a particularly good actor, I'm a character actor."
I don't think I'm a particularly good actor, I'm a character actor.
I don't think I'm a particularly good actor, I'm a character actor.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"The only thing an actor owes his public is not to bore them."
"I don't think acting is that important. It's just a way of making a living."
"I'm just a guy who likes to eat. And I like to eat a lot."
"I don't like to be analyzed. I think it's intrusive."
"I don't like to be bothered. I like to be left alone."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
Found in 1 providers: grok
1 source checked
Your cart is empty