Claude Monet — "To see we must forget the name of the thing we are looking at."
To see we must forget the name of the thing we are looking at.
To see we must forget the name of the thing we are looking at.
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"I'm so frustrated. I want to scream."
"I'm absolutely disgusted with painting."
"It is a tragedy that we live in a world where physical courage is so common, and moral courage is so rare."
"I'm completely overwhelmed. I'm going to collapse."
"I'm completely blind, everything is black. I can't paint anymore."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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