Claude Monet — "To see we must forget the name of the thing we are looking at."
To see we must forget the name of the thing we are looking at.
To see we must forget the name of the thing we are looking at.
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"I want the inexpressible. I want to paint the air in which the bridge, the house, the boat are situated, the beauty of the air in which they are."
"How I dream of Giverny in this lovely weather and envy you for being there, you have no idea. But I am a prisoner and must see it through, despite being completely drained. It's exhausting and I'm wor…"
"I am following Nature without being able to grasp her... I perhaps owe having become a painter to flowers."
"The more I live, the more I regret how little I know."
"I am more and more fascinated by the reflections of colors in water. It is quite beyond me."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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