Quentin Tarantino — "The minute you put handcuffs on artists because of stuff like that, it's not an …"
The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore.
The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore.
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"I'm not a politician. I'm not a thought leader. I'm a filmmaker."
"I am a writer. That's what I do. It's a writer's job not just to write about himself but to look at the rest of humanity and explore it—other people's way of talking, the phrases they use. And my head…"
"I don't like to compromise. I like to do it my way."
"I'm not a student of world cinema. I'm not a student of anything. I'm a fan."
"I'm a big fan of movies that are unique."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Interview with Variety's Todd McCarthy, discussing violence in film.
Date: 1992
PhilosophicalFound in 1 providers: gemini
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