Quentin Tarantino — "I'm not a student of world cinema. I'm not a student of anything. I'm a fan."
I'm not a student of world cinema. I'm not a student of anything. I'm a fan.
I'm not a student of world cinema. I'm not a student of anything. I'm a fan.
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"The worst thing about movies is, no matter how far you can go, when it comes to violence you are wearing a pair of handcuffs that novelists... don't wear."
"Violence is one of the most fun things to watch."
"Just because you are a character doesn't mean you have character."
"It's not that I'm on this big crusade against linear storytelling, but the thing is it's not the only game in town. A novel can do that no problem. Novelist have always had complete freedom to pretty …"
"Filmmaking can be a democratic process. In which other people, other than rich white men, can make movies."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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