Quentin Tarantino — "I'm not a student of world cinema. I'm not a student of anything. I'm a fan."
I'm not a student of world cinema. I'm not a student of anything. I'm a fan.
I'm not a student of world cinema. I'm not a student of anything. I'm a fan.
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"I'm not interested in being a nice guy. I'm interested in being a good filmmaker."
"Most of it should be subconscious, if the work is coming from a special place. If I'm thinking and maneuvering that pen around, then that's me doing it. I really should let the characters take it. But…"
"I don't think about the message of my films. I just think about the story."
"I'm a big fan of kung fu movies. I love them."
"I'm a big fan of movies that are visually striking."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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