Quentin Tarantino — "I think every movie is a genre movie. A John Cassavetes movie is a genre movie—i…"
I think every movie is a genre movie. A John Cassavetes movie is a genre movie—it's a John Cassavetes Movie. That's a genre in and of itself.
I think every movie is a genre movie. A John Cassavetes movie is a genre movie—it's a John Cassavetes Movie. That's a genre in and of itself.
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"I don't care about what people say about my movies. I make them for myself."
"You know, anything can be- you can make a joke out of anything. You name me any horrific thing, and I can make a joke out of it, all right, because you know, and a joke is a joke."
"Anything that I'm not interested in, I can't even feign interest. I can't do just this little bit to just get by."
"When I start writing I write these crazy novels. And I don't know what to do about it. Well, write a novel. That's what you can do, write a novel. And don't make a movie out of it."
"I'm a big fan of strong female characters."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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