Marlon Brando — "Acting is a bum's life. You're always waiting, waiting, waiting."
Acting is a bum's life. You're always waiting, waiting, waiting.
Acting is a bum's life. You're always waiting, waiting, waiting.
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"I don't like to be told what to say. I like to say what I want to say."
"I don't mind being an icon, but I'd rather be a person."
"I don't like to be complacent. I think it's dangerous."
"I think that I'm a good actor, but I'm not a great actor."
"When you lie to yourself about yourself, you’re in bad company."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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