Edvard Munch — "The camera cannot compete with the brush and palette, it is far too clumsy."
The camera cannot compete with the brush and palette, it is far too clumsy.
The camera cannot compete with the brush and palette, it is far too clumsy.
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"The most beautiful things are often the most fragile."
"I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure."
"The colors scream."
"The colors live a remarkable life of their own after they have been applied to the canvas."
"I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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