Edvard Munch — "And I would often wake up at night and stare widely into the room: Am I in Hell?"
And I would often wake up at night and stare widely into the room: Am I in Hell?
And I would often wake up at night and stare widely into the room: Am I in Hell?
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"To those that labeled his work morose and too unsettling, Munch declared that 'I have tried to understand my life and its significance. I intended to help others do the same about their own lives'."
"Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the painti…"
"I do not believe in the art which is not the compulsive result of man's urge to open his heart."
"Through art I have tried to get clarity in my life. I have tried to find a light in the darkness."
"I wanted to show that behind the outer facade of human beings, there is a whole world of emotions and thoughts."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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