Edvard Munch — "And I would often wake up at night and stare widely into the room: Am I in Hell?"
And I would often wake up at night and stare widely into the room: Am I in Hell?
And I would often wake up at night and stare widely into the room: Am I in Hell?
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"I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure."
"My whole life has been spent walking by the side of a bottomless chasm, jumping from stone to stone. Sometimes I try to leave my narrow path and join the swirling mainstream of life, but I always find…"
"Through art, I want to show people the terrible and the beautiful in life."
"The camera cannot compete with the brush and palette, it is far too clumsy."
"Art comes from joy and pain, but mostly from pain."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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