Stanley Kubrick — "Full Metal Jacket suggests there is more to say about war than it is just bad."
Full Metal Jacket suggests there is more to say about war than it is just bad.
Full Metal Jacket suggests there is more to say about war than it is just bad.
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"I've got a peculiar weakness for criminals and artists. Neither takes life as it is. Any tragic story has to be in conflict with things as they are."
"What is there in the human spirit that makes it so difficult for us to be happy?"
"The thing that's always fascinated me about movies is that they're a dream that you can share with other people."
"It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy Them On The Screen."
"The most terrifying fact about the universe is not that it is hostile but that it is indifferent; but if we can come to terms with this indifference and accept the challenges of life within the bounda…"
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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