Marlon Brando — "I couldn't care less about the Oscar. It's a piece of junk."
I couldn't care less about the Oscar. It's a piece of junk.
I couldn't care less about the Oscar. It's a piece of junk.
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"I don't like to be famous. I don't like to be a star."
"I'm not interested in being a star. I'm interested in being an actor."
"Hey, you wanna hear my philosophy of life? Do it to him before he does it to you."
"Acting is the expression of a neurotic impulse. It's a bum's life. Quitting acting, that's the sign of maturity."
"I don't like to be constrained. I think it's stifling."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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