Stanley Kubrick — "I don't believe in inspiration. I believe in hard work, and I believe in techniq…"
I don't believe in inspiration. I believe in hard work, and I believe in technique.
I don't believe in inspiration. I believe in hard work, and I believe in technique.
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"I don't think there's any such thing as a truly objective film. Every film is a subjective interpretation of reality."
"The thing about life is that it's a tragedy, but it's also a comedy. It's both at the same time."
"You can't make a movie for the critics. You have to make it for yourself and hope that enough people like it."
"The greatest victory is to conquer yourself."
"Heroic violence in the Hollywood sense is a great deal like the motivational researchers' problem in selling candy. The problem with candy is not to convince people that it's good…but to free them fro…"
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
Reported in 'Stanley Kubrick: A Life in Pictures' documentary
Date: 2001 (posthumous release)
Self-DeprecatingFound in 1 providers: grok
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