Marlon Brando — "I don't believe in marriage. I think it's an antiquated institution."
I don't believe in marriage. I think it's an antiquated institution.
I don't believe in marriage. I think it's an antiquated institution.
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"The principal benefit acting has afforded me is the money to pay for my psychoanalysis."
"I couldn't care less about the Oscar. It's a piece of junk."
"I'm going to make him an offer he can't refuse."
"The more sensitive you are, the more certain you are to be brutalized, develop scabs, never evolve. Never allow yourself to feel anything, because you always feel too much."
"I've always been a rebel without a cause."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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