Marlon Brando — "I don't believe in marriage. I think it's an antiquated institution."
I don't believe in marriage. I think it's an antiquated institution.
I don't believe in marriage. I think it's an antiquated institution.
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"I'm not interested in being a star. I'm interested in being an actor."
"I think that the most important thing in life is to be true to yourself."
"I'm going to make him an offer he can't refuse."
"I don't think acting is that important. It's just a way of making a living."
"I've always been accused of being a rebel. But I'm not. I'm just an individual."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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