Marlon Brando — "I've always been a rebel without a cause."
I've always been a rebel without a cause.
I've always been a rebel without a cause.
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"I always felt that the only way to make a movie truly great was to make it a little bit strange."
"I'm not afraid to be alone. I'm afraid to be with people who make me feel alone."
"I'm not a very social person. I'm a very private person."
"I don't think there's any such thing as a good guy or a bad guy. There are just people."
"I think that the most important thing in life is to be passionate."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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