Quentin Tarantino — "I don't care about awards. I care about making good movies."
I don't care about awards. I care about making good movies.
I don't care about awards. I care about making good movies.
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"Violence is fun, man."
"I'm a big fan of exploitation films. I think they're great."
"I don't like to be safe. I like to take risks."
"I'm a big fan of the B-movie, I'm a big fan of the exploitation film. I like the trashy stuff. I like the stuff that's not supposed to be good."
"I'm a big fan of movie posters. I think they're a work of art."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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