Quentin Tarantino — "I don't care about being popular. I care about making movies that I'm proud of."
I don't care about being popular. I care about making movies that I'm proud of.
I don't care about being popular. I care about making movies that I'm proud of.
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"I don't like to be told what to do. I like to do what I want to do."
"Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people."
"Anything that I'm not interested in, I can't even feign interest. I can't do just this little bit to just get by."
"I don't think about the commercial success of my films. I just think about making a good movie."
"I'm a big fan of movie posters. I think they're a work of art."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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