Quentin Tarantino — "I don't think about the commercial success of my films. I just think about makin…"
I don't think about the commercial success of my films. I just think about making a good movie.
I don't think about the commercial success of my films. I just think about making a good movie.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"I just realized that I need to be a director for two reasons. One, directors were already my heroes at this point. I wanted to - when I wanted to be an actor I wanted to work with this director. Not w…"
"I like movies that are a little bit dangerous."
"I'm shutting your butt down!"
"The flaw is Paul Dano. Obviously, it's supposed to be a two-hander, and it's also so drastically obvious that it's not a two-hander. … He is weak sauce, man. He's a weak sister."
"Life is a bleeding, screaming, violently jerking pig in your arms. And death is you holding a bunch of heavy unmoving meat."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Your cart is empty