Quentin Tarantino — "I don't care if people think my movies are too violent or too this or too that."
I don't care if people think my movies are too violent or too this or too that.
I don't care if people think my movies are too violent or too this or too that.
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"There are two kinds of violence. First, there's cartoon violence like Lethal Weapon. There's nothing wrong with that. I'm not ragging on that. But my kind of violence is tougher, rougher, more disturb…"
"I don't think about the awards season when I'm making a movie. I just think about making a good movie."
"I don't believe in the idea of 'guilty pleasures.' If you f***ing like something, like it!"
"We don't tell a story. We tell a situation. Most of the movies that you see nowadays... you pretty much know everything you're going to see in the movie by the first 10 or 20 minutes. Now, that's not …"
"I don't like to be subtle. I like to be in your face."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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