Quentin Tarantino — "I don't have a problem with gratuitous violence. I have a problem with boring vi…"
I don't have a problem with gratuitous violence. I have a problem with boring violence.
I don't have a problem with gratuitous violence. I have a problem with boring violence.
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"It's not that I'm on this big crusade against linear storytelling, but the thing is it's not the only game in town. A novel can do that no problem. Novelist have always had complete freedom to pretty …"
"I don't care for Matthew Lillard."
"It was statutory rape. He had sex with a minor. That's not rape. To me, when you use the word rape, you're talking about violent, throwing them down — it's like one of the most violent crimes in the w…"
"I'd kill a million rats, but I don't necessarily want to kill one in a movie or see one killed in a movie, because I'm not paying to see real death."
"I think violence is a legitimate cinematic tool."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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