Marlon Brando — "I don't think there's any such thing as a good guy or a bad guy. There are just …"
I don't think there's any such thing as a good guy or a bad guy. There are just people.
I don't think there's any such thing as a good guy or a bad guy. There are just people.
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"I'm not a very good person. I'm not a very nice person. I'm not a very happy person. I'm not a very good actor. I'm not a very good human being."
"The principal benefit acting has afforded me is the money to pay for my psychoanalysis."
"I don't like to be told what to say. I like to say what I want to say."
"I don't like to be complacent. I think it's dangerous."
"I don't think acting is a very noble profession. It's just a way to make a living."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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