Marlon Brando — "If I'm not a god, I'm a goddamn good actor."
If I'm not a god, I'm a goddamn good actor.
If I'm not a god, I'm a goddamn good actor.
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"I don't think acting is a very noble profession. It's just a way to make a living."
"Most of the successful people in Hollywood are failures as human beings."
"I don't care about money. I just want to be left alone."
"I'm not interested in being a star. I'm interested in being an actor."
"The most repulsive thing you could ever imagine is the inside of a camel's mouth. That and watching a girl eat octopus or squid."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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