Marlon Brando — "The only thing an actor owes his public is not to bore them."
The only thing an actor owes his public is not to bore them.
The only thing an actor owes his public is not to bore them.
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"I don't believe in God. I believe in people."
"I watched a snail crawl along the edge of a straight razor. That's my dream. That's my nightmare. Crawling, slithering, along the edge of a straight razor and surviving."
"I don't think I'm a genius. I think I'm a worker."
"An actor’s a guy who, if you ain’t talking about him, ain’t listening."
"I couldn't care less about the Oscar. It's a piece of junk."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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