Marlon Brando — "The only thing an actor owes his public is not to bore them."
The only thing an actor owes his public is not to bore them.
The only thing an actor owes his public is not to bore them.
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"The greatest enemy of creativity is good taste."
"Most of the world is like a mental institution, a big insane asylum."
"The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it."
"I've always been a rebel without a cause."
"Never confuse the size of your paycheck with the size of your talent."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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